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A set of unique and inspirational sounds and tools designed by award-winning film & TV composer Samuel Sim. Centred around his searing talents as a harpist, at the core of this library sits a stunning, deep sampled studio harp. But this is just the beginning. As the name Chrysalis suggests, Samuel and the Spitfire team took extreme steps to bend sound into a collection of unique and fresh tools for your sonic arsenal.
Spitfire Audio Samuel Sim Chrysalis KONTAKT screenshot
Spitfire Audio Samuel Sim Chrysalis KONTAKT screenshot
OVERVIEW
Samuel is one of the busiest composers working in London today. The ferocious pace at which he works exposes the quality and drawbacks of the tools he uses. Chrysalis is a collection of tools and sounds based on Samuel pondering “what if…” and by analysing why he returned to some tools and not others. By grappling with the increasing demands of TV and film execs to reinvent the wheel and create something ‘totally new’ Samuel like many of us struggles with the concept of unfamiliarly familiar.
It is the latter point that crystallised the core concept of the project. To create something that could be used like a piano, but wasn’t a piano; that projected like a harp, but didn’t have the classical baggage; that played like a guitar, but without the folky, geocentric or ethnic connotation.
So at the heart of the library is a beautifully performed and deep sampled harp played by the man himself. Alongside additional techniques are ‘impossible’ techniques. Bending strings beyond comprehension in order to bow adjacent strings as a mere example. Samuel also played some very interesting and modern styles that experience has led him to believe is the way to make a workhorse set of tools.
Samuel also played through an array of awesome FX pedals and processing, delivering a barely recognisable and very edgy set of sounds.
Spitfire and Samuel then took all of this rich and raw material and bent it out of comprehensive shape into some of the freshest sounds both Samuel and the Spitfire team has ever heard.
The final piece of the jigsaw was a process of curation to combine sounds into an instantly gratifying set of instruments that only a man of Samuel’s experience would know how to put together! In what Samuel described as “2am instruments” his aim was to create some presets that would allow you, when at your whits end in the early hours of the morning, to write, produce and complete a cue in realtime before you fall into an overworked slumber on the floor of your studio.
Samuel is one of the busiest composers working in London today. The ferocious pace at which he works exposes the quality and drawbacks of the tools he uses. Chrysalis is a collection of tools and sounds based on Samuel pondering “what if…” and by analysing why he returned to some tools and not others. By grappling with the increasing demands of TV and film execs to reinvent the wheel and create something ‘totally new’ Samuel like many of us struggles with the concept of unfamiliarly familiar.
It is the latter point that crystallised the core concept of the project. To create something that could be used like a piano, but wasn’t a piano; that projected like a harp, but didn’t have the classical baggage; that played like a guitar, but without the folky, geocentric or ethnic connotation.
So at the heart of the library is a beautifully performed and deep sampled harp played by the man himself. Alongside additional techniques are ‘impossible’ techniques. Bending strings beyond comprehension in order to bow adjacent strings as a mere example. Samuel also played some very interesting and modern styles that experience has led him to believe is the way to make a workhorse set of tools.
Samuel also played through an array of awesome FX pedals and processing, delivering a barely recognisable and very edgy set of sounds.
Spitfire and Samuel then took all of this rich and raw material and bent it out of comprehensive shape into some of the freshest sounds both Samuel and the Spitfire team has ever heard.
The final piece of the jigsaw was a process of curation to combine sounds into an instantly gratifying set of instruments that only a man of Samuel’s experience would know how to put together! In what Samuel described as “2am instruments” his aim was to create some presets that would allow you, when at your whits end in the early hours of the morning, to write, produce and complete a cue in realtime before you fall into an overworked slumber on the floor of your studio.
BACKGROUND
Samuel Sim is part of the vibrant musical community at Tileyard Studios, North London. Alongside fellow TV & Film composers Dru Masters, Christian Henson & Paul Thomson they often formed a discreet coterie of drinkers for “whine at five” sessions moaning about the state of the industry over a few glasses whilst the pop and dance contingent of Tileyard started their days work.
These conversations became especially impassioned when talking about sampling, and it was only a matter of time before Sam and the Spitfire team started dreaming up a library of his very own. Following 4 years of pondering procrastination, experimentation and then weeks of slavish sampling, months of sound design the team and Sam can’t quite believe that it’s finally happened. But are proud that it surpasses everyone’s expectations, born of bucolic and slightly slurred suggestions and protestations.
Samuel is widely considered to be one of the most exceptional musical talents of his generation. His beautifully evocative music and award winning film and television scores are fast making him one of the most sought-after composers working in the industry today.
Early in his career, Samuel quickly stood out from the crowd with his award winning score for the BBC’s Dunkirk. A whirlwind success followed which soon saw him composing for the Hollywood feature film Awake for the Weinstein Company.
Most recently Samuel has scored ITV’s hugely successful TV drama Home Fires, C4’s drama The Mill (for which Samuel’s score received an Ivor Novello nomination), ITV’s Chasing Shadows, the touching ITV feature Father’s Day, and the Charlie Brooker/Daniel Maier comedy creation Touch Of Cloth. He also composed a wonderfully evocative score for the riveting STOP AT NOTHING: The Lance Armstrong Story.
Samuel Sim is part of the vibrant musical community at Tileyard Studios, North London. Alongside fellow TV & Film composers Dru Masters, Christian Henson & Paul Thomson they often formed a discreet coterie of drinkers for “whine at five” sessions moaning about the state of the industry over a few glasses whilst the pop and dance contingent of Tileyard started their days work.
These conversations became especially impassioned when talking about sampling, and it was only a matter of time before Sam and the Spitfire team started dreaming up a library of his very own. Following 4 years of pondering procrastination, experimentation and then weeks of slavish sampling, months of sound design the team and Sam can’t quite believe that it’s finally happened. But are proud that it surpasses everyone’s expectations, born of bucolic and slightly slurred suggestions and protestations.
Samuel is widely considered to be one of the most exceptional musical talents of his generation. His beautifully evocative music and award winning film and television scores are fast making him one of the most sought-after composers working in the industry today.
Early in his career, Samuel quickly stood out from the crowd with his award winning score for the BBC’s Dunkirk. A whirlwind success followed which soon saw him composing for the Hollywood feature film Awake for the Weinstein Company.
Most recently Samuel has scored ITV’s hugely successful TV drama Home Fires, C4’s drama The Mill (for which Samuel’s score received an Ivor Novello nomination), ITV’s Chasing Shadows, the touching ITV feature Father’s Day, and the Charlie Brooker/Daniel Maier comedy creation Touch Of Cloth. He also composed a wonderfully evocative score for the riveting STOP AT NOTHING: The Lance Armstrong Story.
FEATURES
176 hand-sculpted sounds, organised into four distinct categories that follow the development of the library from an intimate harp, to a warped organic masterpiece.
‘Initial Pupae’ contains the pure harp sound, deep sampled with 6 different microphone options. It contains the ‘typical’ plucked harp sound normale, as well as a selection of atypical articulations, including all the strings resonating from a cello bow.
‘Nympha Pedals’ is a selection of sounds created by amplifying the live harp through an coterie of pedals and into a Marshall JCM800. Each sound has 4 signals, so you can blend between the pure sound of the harp and the mesmerising soundscapes emanating from the amplifier, with different options for each.
The next stage of Chrysalis ‘Metamorphosis Warps’ is 23 different sounds, each with a single pluck and tremolo option. These each have two signals, combining the harp with an affected other.
‘The Cocoonase’ completes Chrysalis with 100 sounds, again with two signals between the pure and the impure signal. The sounds in here are the softer side to Chrysalis, with luscious pads and ambiences.
176 hand-sculpted sounds, organised into four distinct categories that follow the development of the library from an intimate harp, to a warped organic masterpiece.
‘Initial Pupae’ contains the pure harp sound, deep sampled with 6 different microphone options. It contains the ‘typical’ plucked harp sound normale, as well as a selection of atypical articulations, including all the strings resonating from a cello bow.
‘Nympha Pedals’ is a selection of sounds created by amplifying the live harp through an coterie of pedals and into a Marshall JCM800. Each sound has 4 signals, so you can blend between the pure sound of the harp and the mesmerising soundscapes emanating from the amplifier, with different options for each.
The next stage of Chrysalis ‘Metamorphosis Warps’ is 23 different sounds, each with a single pluck and tremolo option. These each have two signals, combining the harp with an affected other.
‘The Cocoonase’ completes Chrysalis with 100 sounds, again with two signals between the pure and the impure signal. The sounds in here are the softer side to Chrysalis, with luscious pads and ambiences.
KEY STATS
7230 SAMPLES
30.5 GB UNCOMPRESSED .WAV
15.9 GB DISK SPACE REQUIRED
31.8 GB DISK SPACE REQUIRED DURING INSTALL
KONTAKT FULL REQUIRED
USER MANUAL
APPLY FOR EDUCATIONAL DISCOUNT
7230 SAMPLES
30.5 GB UNCOMPRESSED .WAV
15.9 GB DISK SPACE REQUIRED
31.8 GB DISK SPACE REQUIRED DURING INSTALL
KONTAKT FULL REQUIRED
USER MANUAL
APPLY FOR EDUCATIONAL DISCOUNT
Publisher : Spitfire Audio
Format : KONTAKT 5.5.1 +
Quality : 24 bit 48 kHz stereo
Format : KONTAKT 5.5.1 +
Quality : 24 bit 48 kHz stereo
Chrysalis Full Vst Download Free
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![Crysalis Crysalis](/uploads/1/2/6/0/126068129/292041627.png)
1.1.3Merits And Demerits
Xpand 2 VST Full Crack Overview
Xpand 2 VST Full Crack as part of the Creative Collection of instrument plug-ins included as part of Avid™ Pro Tools™. With the release of Pro Tools 8, this widely popular workstation was given new controls, improved features, an additional Gigabyte of sounds, and a new name: Xpand!2. As the popularity of Pro Tools grew, more and more musicians and producers came to rely on the incredible sonic firepower of this amazing workstation. Xpand!2 continued to evolve, and demand grew. Finally, Xpand!2 is now available on its own, available to anyone who hungers for the finest sounds—instantly.
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2500 + Total Presets and Parts
- Soft, Bright, Huge & Action Pads
- Ambience & FX
- Polysynths & Synth Brass
- Simple & Multitrack Arpeggios
- Soft & Hard Leads
- Acoustic Piano
- E-Pianos & Clavichord
- Organs
- Strings
- Vocals
- Brass & Woodwinds
- Mallets & Bells
- Guitars
- Ethnic
- Hits
- Basses
- Drums & Percussion
- Loops
- Multitimbral
Powerful Key Features
- Four on the Floor
Xpand!2 is a multitimbral workstation offering four active sound slots, or parts, per patch. Each part is provided with its own MIDI channel, Note Range (Zone), Mix, Arpeggiation, Modulation, and Effects settings—an excellent method for creating individual parts. Harnessing the four parts together to build one amazing Patch is where Xpand!2 reveals its true power. The Voice Mode for each part can be set to polyphonic or monophonic. Polyphonic parts can have up to 64 voices; monophonic parts offer First, Last, Highest, or Lowest priority making it easy to designate a bass, lead, or solo instrument. - Sounds Galore
Using everything from wavetables and FM synthesis to sample playback, the expert sound design team at Air Music Tech has carefully created thousands of ready-to-play Xpand!2 patches. Creating your own is easy, too. Parts can be quickly browsed and are conveniently sorted into 29 categories, offering a simple path to find just what you’re looking for. - Smart Knobs and Easy Edits
Six smart knobs are provided for custom-tweaking your Xpand!2 sounds. Each knob changes function depending on the part selected, offering hands-on control of the most critical sound elements. Select the Easy mode, and all six knobs now control all four of the common parts in a patch simultaneously for quickly performing those crucial edits. And of course, all of your edits can be saved for instant recall. - Major Modulation
Express yourself with powerful performance features! Pitch Bend wheel and Aftertouch (pressure) modulation assignments can be made independently for each part. Modulation rates can be tempo sync’d or free-wheeling. Numerous modulation destinations are provided, and the WAVE destination parameters are different from part to part, providing unique Xpand!2 sound-shaping capabilities. - Advanced Arpeggiation
Keep things moving with advanced arpeggiation. Simply set the Rate—including dotted and triplet values—and then select the Mode. Using the Latch switch allows the arpeggiator to continue to play, even when your hands leave the keyboard. Each Xpand!2 part is provided with its own arpeggiator. Many parts such as Action Pads and Loops will automatically activate the Arpeggiator, as it forms an integral part of the sound. - Dynamic Effects Duo
Xpand!2 includes two independent effect processors with fifty studio-grade effects, ranging from rich reverbs to the mind-bending Chaos Delay. When selecting a new effect type, Xpand!2 will instantly change the edit knob functions to provide accurate control of every effect. The output of FX1 can be fed into the input of FX2 to create advanced “cascade-style” effects.
Merits And Demerits
- Soft Pads
- Versatile multitimbral sound module instrument.
- Up to four stereo instrument parts per patch.
- Up to 64 voices per part; Mono or Poly voice modes.
- Smart Knobs provide intuitive sound editing.
- Easy Edit Knobs control the entire patch at once.
- None.
System Requirements
- Windows 10, 8 or Windows 7 Service Pack 1; Minimum Dual Core 2GHz (Intel Core i5 or i7 Recommended)
- Mac OS X 10.8.5 or higher. Core Duo Processor (Core i5 or i7 Recommended)
Formats
![Download Download](/uploads/1/2/6/0/126068129/167418177.jpg)
- 32 & 64-bit; VST
- 32 & 64-bit; AU (Mac Only)
How To Download And Run Xpand 2 VST Crack ?
- Run Installer
- Then, Open the plugin in your DAW
- Now, Browse for Content folder (.BIG file extension)
- Done.
- That’s all, Enjoy!
Final Thoughts About Xpand 2 VST Crack
Xpand 2 VST Full Crackcomes with over 2,500 included presets, covering a vast range of electronic and acoustic instruments, vocals, drums, and sound effects. The presets can be stacked together to create multis, with four-channel multitimbral operation and support for up to 64 voices per part. The instrument is compatible with all VST and AU plugin hosts on PC and Mac.To grab your free copy of Xpand!2, visit the DontCrac[k]product listing linked below and add the plugin to your shopping cart. Don’t be discouraged by the list price of $69.99, because you will reduce it to $0 by entering the coupon code XpandFreebie at checkout. After applying the coupon code, simply complete the checkout process to receive your personal serial number which will be delivered to your email address and also available in your DontCrac[k]user account. To activate your free copy of Xpand!2, you will need to enter your serial number when loading the plugin for the first time.